Coll Anderson has been working with sound for 24 years. His work includes recording, editing, designing and mixing, and spans indie art house classics to award-winning documentaries and features. From Steve Buscemi’s acclaimed Trees Lounge or Sean Durkin’s Martha Marcy May Marlene to Errol Morris’ Oscar winning The Fog of War and Sundance Grand Jury Prize winners Frat House, Manda Balla and Restropo, Coll has helped to sharpen the focus and story of films with the creative use of sound. “Sound is an objects other shadow: it adds weight, palpability and velocity. It is visions sublime partner in defining mass and time.”