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Wednesday, March 18 • 3:30pm - 4:30pm
Producer or Songwriter?

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Recording budgets are shrinking. Making money on back-end royalties is less and less common. How does a record producer keep his/her doors open for business while the traditional revenue streams are drying up? The answer lies in a shift toward publishing participation and producers are starting to demand songwriting participation in return for their services. Has this type of compensation always been due to the producer? Did producers let it slide for years, foregoing publishing participation in return for large producer fees? Or is this yet another party now inserting themselves in the only game still generating income...publishing?

View official listing on sxsw.com

avatar for Paul Adams

Paul Adams

Lawyer, Bang The Drum
A career that has seen Paul move from Manchester to London to New York and work with artists as diverse as Tool to Justin Timberlake and Radiohead to Jay-Z with the songwriters and producers that he represents at the company he founded Bang The Drum, Paul helps navigate the careers... Read More →

Kevin Augunas

CEO, Fairfax Recordings

David Bason

PRES, Hundred Handed

Jimmy Douglass

PRES, Hundred Handed

Jeff Gandel

Lawyer, Law Office of Jeffrey B Gandel
avatar for Chris Shaw

Chris Shaw

Lawyer, Bang The Drum
Chris Shaw is a four time Grammy Award winning American producer, engineer, mixer, and musician. Beginning his career at Greene Street Recording, he quickly worked his way from his start as an NYU intern, to assistant engineer, to a position as a staff engineer working with influential... Read More →

Wednesday March 18, 2015 3:30pm - 4:30pm CDT
ACC Room 17A

Attendees (0)